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Cover -- Pay for Play:
Pay for Play
Introduction and Acknowledgements
1. Church and Court Patronage
2. Public Concerts and Celebrity
3. Music Printing
4. Tin Pan Alley and Music Publishing
5. How Does the Publishing Industry Work?
6. The First Format War: Cylinder vs. Disk
7. Ralph Peer and Country Music
8. Radio
9. The Great Depression and the 1930s
10. The Development of National Record Charts
11. World War II and the ASCAP and Musicians Strikes
12. Post-War Boom, Independent Labels, and Rock and Roll
13. The Transformative 1960s
14. The 1970s and Genre Stratification
15. The 1980s and 90s: Consolidation and MTV Pop Superstars
16. Napster, the iPod, and Streaming: The Record Industry in the New Millennium
17. The Record Industry Today
18. The Record Contract
19. The Live Music Industry
20. Music in Social Media
21. Independent Music Production and Distribution
22. Who Does What in the Record Industry?
23. Copyright Theory and History
24. Additional Music Copyright Terms and Concepts You Should Know
25. The Music Royalty System Today
26. Mechanical Rights
27. Performance Rights
28. Sound Recordings
29. Synch Rights for Video and Music
30. Dramatic Musical Works
31. Copyright Criticism and Alternatives
32. How a Musical Work Copyright Infringement Case Works
33. How much copying is too much?
34. Fair Use
35. Damages
36. Landmark Musical Work Copyright Infringement Cases
37. Consumer Sound and Video Copying Devices — The Cassette and Home Video Recorder (Sony vs. Betamax)
38. Contributory and Vicarious Liability for Peer-to-Peer File Sharing Services: The Napster and Grokster cases
39. The Digital Millennium Copyright Act
40. Sampling and Sound Recording Copyrights
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Pay for Play: How the Music Industry Works, Where the Money Goes, and Why Copyright © 2023 by Larry Wayte is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, except where otherwise noted.