Catalog

Introduction to Neurobiology is aimed at undergraduate students new to the field of neuroscience. The first edition specifically targets students enrolled in BI360 Neurobiology at the University of Oregon and primarily contains topics covered in that course. Future editions will continue to expand on topics, details, and primary literature citations.

This OER is unique in its presentation of neurobiology content. The text is divided into short, easily digestible chapters that focus on one concept. Pairing the text with images, animations, and videos provides students with multiple ways of learning the content. The text is written with the undergraduate student that is new to neuroscience in mind. Neuroscience terminology is introduced in an easy-to-understand manner, and supporting content is clear and concise to minimize cognitive load not associated with understanding new material

Each chapter ends with an interactive quiz for student self-evaluation of the content. Quiz questions provide feedback, so students can self-check their understanding at the end of each concept and receive immediate feedback about their learning.

Founded by physics professor Tien-Tien Yu and comics and cartoon studies professor Kate Kelp-Stebbins, the University of Oregon Science and Comics Initiative unites two growing areas at the University of Oregon: Comics & Cartoon Studies and STEM (science, technology, engineering, and mathematics). The initiative brings together faculty, students, and researchers from numerous departments, programs, and campus facilities to produce scholarship that utilizes both humanistic and scientific research practices. Comics Studies students work with UO scientists to produce compelling and visually engaging comics based on the research of the scientists. This book is a collection of the finished comics created by an undergraduate, researcher pair.

This book presents materials for mastering the Arabic alphabet and the student's first steps in Egyptian Arabic.

This book accompanies UO's Pressbooks workshops. It features linked resources mentioned in the workshops, outlines and examples. Each 'part' corresponds to a workshop and contains examples of the tools and features we cover in that workshop. Advanced workshop attendees will have the opportunity to edit their own chapters of this book.

A general introduction to managing a small business. An abridged adaptation of Small Business Management by Jason Anderson.

Written for students and instructors in an advanced legal research course, this book uses the steps of the legal research process to facilitate skills practice, collaboration, and reflection. It proposes a hypothetical as a basis for practicing the research process steps and encourages students and instructors to contribute other hypotheticals. The text also includes sample assignments, demonstration videos, and discussion and reflection questions, with opportunities for students and instructors to contribute additional questions. This text uses an approach that emphasizes student reflection on the development of research skills, with the benefit of repeated and consistent formative feedback.

I have organized this book in four parts, each of which is divided into multiple chapters. The first part concerns the history and structure of the music industry. Understanding the music industry as it exists today requires an understanding of how it developed over time. Today’s music industry would most certainly not be the one anybody would design from scratch. It has many inefficiencies and quirks that reflect the economic pressures and musical concerns of bygone ages.

The second part of the book provides an overview of copyright law and the ways it interacts with music. Nearly every aspect of the music industry is thoroughly infused with the reward structure governed by copyright law. Nearly every dollar that flows from consumer to artist in the music industry is parsed out, divided, and contested in accordance with the system of rights and obligations the flow from copyright protections. One could even make a convincing argument that the very form of popular music (length of songs, cyclical structures, prevalence of cover songs, etc.) is highly influenced by the reward structure imposed by copyright law.

The third and fourth parts of the book deal with the issues surrounding infringement of copyrights. One of the fundamental and least understood aspects of music copyright is that there are two separate music copyrights: one involving the musical work (or “song”) and one that involving a recording of that musical work (often called the “master right”).

There are several aspects of the music industry that are not covered in depth in this book, and that is by design. The breadth and depth of this book is governed primarily by the purpose it is intended to serve — as a textbook for a 10-week undergraduate course. Additional breadth or depth would introduce material that I do not believe could be reasonably included in the course as I currently teach it. In my experience, there simply is not enough time to cover more material in that time than is in this text.

Science and Culture is a resource intended for college and secondary students to engage with scientific concepts, facts, and history as they relate to society in the United States and globally. The multimodality, diversity of voices, and range of topics should appeal to anyone interested in exploring these particular knowledge debates across natural and social sciences, humanities, and creative arts. The themes in this volume have been cultivated to engage readers not merely as receptors of information but as active participants in this ongoing process of knowledge building.